Deborah Westmancoat RWA

On show as part of the Hinterland online exhibition, Broadway Arts Festival. Sea Caves 2 (2019). Ink and incoming waves collected from Porthleven beach. Joint winner of the New Entrant Prize. The Festival will arrange delivery upon sale of work. Have a look at their website. @broadwayartsfestival #broadwayartsfestival #waveart #weatherart #porthlevenbeach #porthlevenbeachcornwall #porthleven #seacaves #cornishcoastline #cornishcoast #artistsofinstagram #porthlevenprize ... See more

Six Weathers (2020). Currently on show in Yeonmisan Nature Art Park, Republic of Korea until 9/8/20. Ink and snowmelt, hailstones, floodwater, frozen puddles, Spring rain and dew, on papers supported by wooden framework. 12 x 12 x 12 cm. Created for Geoumgang Nature Art Biennial 2020 as part of a long term project looking at stages of transformation in classical alchemy in relation to the presence and movement of water within the natural and built environment. @rwabristol #rwa #royalwestofenglandacademy #geumgangnatureartbiennale #yeonmisannatureartpark #natureartcube #weatherpainter #alchemyart #exhibitioninkorea #artistsofinstagram #inkpainting #weatherpainting #lockdownart #contemporaryartist #sharingweather ... See more

The @rwabristol postcard auction is now live. I’ve got one in the mix again this year along with another 390 contributors including the wonderful Timothy Spall, @stewart.geddes David Inshaw, Susan Derges, Gilbert & George, Norman Ackroyd, Richard Long, Emma Stibbon, Harry Hill and, extraordinarily, Dame Joan Collins! Bidding starts at £40 and is on until 25 June. Have a look at the RWA website for more info and whilst you are there make a few bids and support our regional Royal Academy. @rwabristol #royalwestofenglandacademy #royalwestofenglandacademyofart #rwaacademicians #rwasecretpostcard #somersetartist #somersetartists ... See more

Art, alchemy and a museum full of noisy ghosts – Simon Costin talks to painter Deborah Westmancoat about landscapes, the elements and occult objects at the Museum of Witchcraft and Magic

http://civilianglobal.com/arts/museum-of-witchcraft-cornwall-simon-costin-artist-deborah-westmancoat/ Museum of Witchcraft and Magic, Boscastle, PL35 0HD ... See more

Many thanks to the @broadwayartsfestival judges and @little_buckland_gallery for selecting a painting by myself and a fabulous print by Bina Shah for the New Entrants Prize. Congratulations to everyone exhibiting - it’s great to see your work. You can view (and buy through) the online gallery here until 31 December 2020: https://broadwayartsfestival.com/art-competition/ ... See more

And here is the third of the three paintings selected for the excellent 2020 @broadwayartsfestival Hinterland exhibition (this year now happening online). Somewhere Birds Were Calling (2016), ink and water collected from Liddesdale Burn in spate (Ardnamurchan Peninsula, Western Highlands of Scotland). All selected works can be viewed and bought online from 29 May - 31 Dec with the festival covering cost of delivery within the UK. Have a look. ... See more

Just heard that I’ve been selected for the Broadway Arts Festival exhibition which this year will have to happen online due to You Know What. The theme of the exhibition is Hinterland and I have three paintings selected. Sea Caves 2, Bell House Pines and Somewhere Birds Were Calling. The festival will have an online gallery running from 29 May - 31 Dec 2020 and anyone can view and buy through the site and they will arrange delivery within the UK. It’s great that things like this are still going ahead, albeit in a very different format, and I’m really pleased to be part of it. Image: Sea Caves 2. @broadwayartsfestival ... See more

Bell House Pines (2017). Ink, with shellac and water steeped with earth and pine needles collected from the foot of Turloch’s Tower in Clonmacnoise, Ireland, on heavyweight paper. Turloch’s Tower was built around 1124 as part of the Clonmacnoise monastic settlement founded in 544. It was originally named ‘Cloig Teacht’ - The Bell House - and would have sounded for miles across the waters of the Shannon and the flat lands surrounding the site. There is no bell in the tower today. Several rooks use it and the adjacent Pines as a nesting site and minaret. Their loud calls echo around the ruins of the monastery and the ground is littered with sticks and bones thrown down to ward off trespassers. Selected for the 2020 @broadwayartsfestival which this year is being held online. The title of the exhibition is Hinterland and an online gallery is being set up for public to view and buy works from 29 May - 31 Dec (with the festival arranging delivery). Really delighted to be a part of this. @broadwayartsfestival ... See more

All ready with tags on waiting for delivery to the Royal Academy Summer Exhibition team for final judgement..

Solar Horses (2017)
Ink, shellac and water collected from Loch Lough in Uisneach, Ireland. Uisneach is a beautiful and mysterious place at the heart of Ireland known for its huge Bealtaine fires which can be seen for miles and usher in the first days of summer. Dagda, mythological Sun God and leader of the Tuatha de Danaan, is said to have stabled his solar horses at Uisneach. Archaeological remains of a stable enclosure have been found within two souterrains to the north flank of the hill paved with carved slabs similar in form to the famous Uffington White Horse in Berkshire, England.
63 x 74 x 4.5 cm. ... See more

An unexpected studio sale this afternoon, purchased by a collector as a surprise for their partner's birthday. They already have three of my paintings so part of the fun was working out what would hang well with their existing collection.

Moonfall (2019). Ink, acrylic and incoming waves collected on Porthleven beach, on board. 64 x 71 x 4.5 cm. ... See more

Universal Indicator (2019). A new painting selected for the 167th RWA Open but not hung. It is however available through the RWA website: https://shop.rwa.org.uk/…/…/products/buy-art-annual-open-752
Ink, dammar gum and incoming storm waves collected from Porthleven beach, on board. Box framed in white wood and non-reflective glazing. Signed on reverse. 71 x 71 x 4.5 cm. ... See more

Moon Wight (2019). A new painting which can be viewed hanging in the lower stairwell in the 167th RWA Open until 1 December 2019. Ink, acrylic and incoming waves collected at midnight from Porthleven beach, on board. Box framed in white wood and non-reflective glazing. Signed on reverse. 71 x 71 x 4.5 cm. https://shop.rwa.org.uk/…/pr…/buy-art-online-annual-open-001 ... See more

Sea Caves 2 (2019). A new painting which can be viewed in the Methuen Gallery in the 167th RWA Open until 1 December 2019. Ink and incoming waves collected from Porthleven beach, on board. Box framed in white wood and non-reflective glazing. Signed on reverse. 54 x 61 x 4.5 cm.
https://shop.rwa.org.uk/…/…/products/buy-art-annual-open-484 ... See more

Sea Caves 1 (2019). A new painting which can be viewed in the Methuen Gallery in the 167th RWA Open until 1 December 2019. Ink and incoming waves collected from Porthleven beach, on board. Box framed in white wood and non-reflective glazing. Signed on reverse. 54 x 61 x 4.5 cm.https://shop.rwa.org.uk/collections/shop/products/buy-art-annual-open-485 ... See more

Have just been looking back through some sketchbook pages and collections of water and natural objects from my time on the Endelienta Residency in North Cornwall completed last week. This research will feed into a new series of paintings over the coming months. These simple notes and sketches take me straight back to the landscape I have been working with over the last 9 days, and to important conversations held with fellow Residency artists, composer Alex Groves and poet Genevieve Carver. Huge thanks to Peter Ursem, Ian Sandbrook, Helen Wood, Esther Dudley and all the Endelienta committee for such a valuable experience. ... See more

Have just sent off my annual contribution to this brilliant event which I’ve been supporting for several years now. The £11K raised from the sale of £50 works goes to local arts charities/organisations & other causes supported by Rotary such as Shelterbox and the campaign to eradicate polio. If you are near St Ives from 20-22 September drop in to Porthmeor Studios and have a look. ... See more

Over the moon to find out that I have been selected for the Endelienta funded residency in September down in beautiful St Endellion, North Cornwall. I will be staying and working there for a week with a selected Musician and Poet. I can’t wait to find out more about my new colleagues and immerse myself in that magical landscape (this tree in the churchyard up the road was bursting with rooks when I arrived for my interview). Huge thanks to all at the Endelienta Trust and see you in the Autumn. ... See more

Perigee-Syzygy of the Earth-Sun-Moon System (2017) Deborah Westmancoat RWA. Another recent painting selected for the Millfield Summer Show 2019 at Atkinson Gallery, Street, Somerset. PV 24 June, show then runs until 2 August. Ink and dew collected during the night of a winter ‘supermoon’ on paper. Box framed in white wood and non-reflective glass. Signed on reverse. 51x61x4.5cm. ... See more

A new residency project continuing a practical investigation of the surrealist art techniques of Ithell Colquhoun and aspects of the Cornish landscape is underway with Penny MacBeth and Lally Francesca Ronchetti MacBeth...watch this space.... ... See more

Absolutely delighted to hear that one of my paintings has been awarded the St Cuthberts Mill Prize for Watercolour at the 114th Bath Society of Artists Open Exhibition. Thanks to all at BSA. Exhibition runs until 29 June at Victoria Art Gallery, Bridge St, Bath BA2 4AT.

Image: And With A Hard Frost Came Stillness (2016) Deborah Westmancoat RWA. Black writing ink, handmade oak gall ink, pencil, hoar frost scraped from Willow boughs (in Longrun Meadow, Taunton, Somerset) and marks made with a found flint, on board. Box framed in white wood, non reflective glazing. Signed on reverse. 60 x 61 x 4.5 cm. ... See more

Two paintings have been selected for the 114th Bath Society of Artists Open Exhibition at Victoria Art Gallery, Bridge St, Bath BA2 4AT. PV this Friday 17 May from 6.30pm. Show runs until 29 June.

White Field #2 (2017)
Ink, hailstones, frost and two frozen puddles collected from Longrun Meadows, Taunton, Somerset on board. Box framed in white wood and non reflective glazing. Signed on reverse. 73 x 56 x 4.5cm.

And With A Hard Frost Came Stillness (2016)
Ink, pencil, hoar frost scraped from Willow boughs (in Longrun Meadow, Taunton, Somerset) and marks made with a found flint, on board. Box framed in white wood, non reflective glazing. Signed on reverse. 60 x 61 x 4.5 cm ... See more

Pleased that this recent painting has been chosen to become part of the RWA Permanent Collection. Looking forward to delivering it to Bristol on Saturday.

White Field 1 (2017) Deborah Westmancoat RWA. Ink, hailstones, frost and two frozen puddles collected from Longrun Meadows, Taunton, Somerset, on board. Signed on reverse. 73x56x4.5cm. ... See more

One of 5 new paintings showing in the 'In Between Sea and Shore' Porthleven Prizewinners exhibition opening at 6pm on Thurs 2nd May at Drawing Projects UK, Trowbridge. Moon Wight (2019), Deborah Westmancoat RWA. Ink, acrylic and incoming waves collected at midnight on Porthleven beach, Cornwall. Exhibition runs until 18 May. ... See more

Opening 6pm on Thursday 2 May. Come and say hi. I have five new paintings showing in this UK touring exhibition alongside works by the brilliant Lyon Hanson, James Thornton, Poppy Briggs, Alex Mah, Mariana Marcelino and Katie Sims. ... See more

Pale Forms (2016), a work made with rainwater collected from a depression in one of the fallen stones in Avebury stone circle, sold this weekend to a Newlyn collector during my studio sale. The sale will continue until the end of this month. ... See more